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Keeping with the concepts, the Brooklyn spitter also creates a continuation of 2Pac’s “Brenda’s Got A Baby” story, titled “Pimpin’ Won’t Die.” Hearing the outcome of the trashcan baby in adult form, while an interesting concept the delivery and precision comes nowhere near to the potency or shock value of Pac’s original dramatisation. Not breathtaking by any means, the track does however serve as a referencing tool for anyone who feels they’ve been mistreated by the police. With this particular episode concentrating on firearms, Pap touches upon stop and frisks as well as reasonable suspicion.
PAPOOSE DREAMS AND NIGHTMARES SERIES
Lightly sprinkled with a delicate helping of soul, the soothing backdrop combined with Pap’s educational sentences takes listeners to school.Ĭontinuing with his mixtape-made instructional series “Law Library,” Papoose drops “Law Library Part 8.” Standing at only two and a half minutes in length, the idea of the “Law Library” series is to educate those not too clued up on the judicial system. Although Erykah Badu claims to have not given permission to use her vocals on the song, it’s one of the better records she’s been featured on as of late. Spitting from the perspective of both cancer and AIDS, Pap gets his Osmosis Jones on traveling through the human body before describing the hurt and torment that comes as a result of such unfortunate illnesses. “The Cure” stands out as one of the strongest aforementioned subject matter-driven offerings. While it’s not the epic Get Rich Or Die Tryin’ album fans were originally expecting, lyrically it’s stood the test of time well – and besides the bang bang style of rap that he and Uncle Murda made popular eight years or so ago, Pap dons his thinking cap on a few joints and brings real life social issues to the forefront of peoples minds. Today finally seeing the light of day, The Nacirema Dream is a surprisingly good body of work with momentary dents. Time went on, perfection began to take over, and then Papoose in 2007 packed his bags and left Jive Records citing A&R issues.
Instead of releasing the album as it was, which tailored more towards his mixtape roots – he won a Justo Mixtape Award for Best Underground Artist in 2005 – he succumbed to the requests of collaborations with the likes of Pharrell Williams and Kanye West. Having always been titled The Nacirema Dream (Nacirema being the word American backwards), problems arose for the young upstart when he and mentor DJ Kayslay decided to remake the album due to his unexpected commercial popularity. With a reported $1.5 million deal on the table too, all that was left to do was drop the album. Appearing on every hot record at the time – notably the all star remix to Busta Rhymes’ “Touch It” – there was no stopping the kid. With 50 Cent then the hottest thing out, Papoose’s buzz trumped that of the G-Unit General’s with ease. His official arrival on the scene back in 2004 came at a time when records were selling and rap was the toast of the commercial market. However, for Brooklyn rhymer Papoose time hasn’t been the kindest of souls.
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